What happens when a system designed to optimise the future decides what no longer belongs in it?
FLYOLOGY is a sharp, feral new musical about civilisation, control, and the things that refuse to be tidied away.
At a high-profile tech launch, founder Callum unveils a predictive AI built to stabilise what comes next.
Trained to identify disruption before it happens, the system promises calm, continuity, and progress without mess. It learns fast. It works beautifully. Until it doesn’t.
When the system glitches mid-demo, three historical women are pulled into the simulation at full cognitive fidelity: Ada Lovelace, Ethel Smyth, and Emmeline Pankhurst. Brilliant. Inconvenient. Unoptimisable.
As the AI tries to resolve them, something breaks. Music refuses to behave. Love can’t be reduced. Collaboration won’t sit still. The very qualities the system was designed to eliminate turn out to be the ones holding everything together.
Part sci-fi glitch, part feminist riot, FLYOLOGY is fast, funny, and unapologetically loud. With razor-sharp dialogue, fourth-wall breaks, and banger songs, it asks a dangerous question:
When efficiency becomes the goal, who gets erased first?
And what happens when the answer refuses to comply?